Sunday, August 04, 2013

Finished Object: Sarah Ann Wilcox Sampler

Lately I've been motivated to finish some cross-stitch projects before I begin any new ones. I'm not always successful, but after two years, I finally finished this one!

Yes, two years! Two years ago I last posted my progress here after five weeks on the Sarah Ann Wilcox reproduction sampler. This is the finished project:



Tuesday, July 23, 2013

Genealogy: Storing Negatives

For the past several years I've been sifting through old family photos and trying to make some sense of them. I've scanned them into the computer, labelled them, and made a spreadsheet of information. For the most part, I've tried to keep them in the books in which I found them. In most cases, I have duplicates spread across three books, but I know from experience with my own photos that my descendants are going to be having the same problem as they sift through my boxes.

In the digital age, negatives are no longer an issue. Film is no longer an issue. Anyone can print a photo  on their home printer, or they can share it through any number of social networking sites. When dealing with pictures from the 1920s through the 1990s, negatives are just a fact of life.

I was blessed with a grandmother who was meticulous in labeling photographs. Most of the photos have her handwriting on the back, with names, dates, and locations. Duplicates were given the same care. She placed negatives behind the photos in case a copy was ever needed, and most of these negatives were the same size as the picture.



In an effort to preserve some of the pictures, I've moved them to better albums with acid-free paper. The negatives I've moved as well, labeling them with the number and placing them in special, archival-safe plastic sleeves.



Much better! (The label colors have no meaning.) I found the negative sleeves on Amazon.com. They come in different sizes for differing types of negatives. 

Monday, July 15, 2013

Genealogy: What Not to Do When Making a Photo Book



About two Christmases ago I received a promotion from Shutterfly for a free Photo Book, 8X8, hardcover. These can generally run $29 for a basic book, so of course I took advantage of the opportunity. The first one I made for my dad included pictures from his family. Appropriately, I named it "Cook Family Album." 

Except in one place. Do you notice it? 




That's right. THE SPINE. According to the spine, we're part of the Johnson family. I didn't notice this until I had placed an order for the third copy of the book.

So, word to the wise, when you go to make your album on any site, make sure to check the spine.

Tuesday, June 18, 2013

Update: Paula Vaughan's "Thoughts of Spring"

I just noticed that I never updated my progress pictures of "Thoughts of Spring." I finished it in time to gift it to my mother for Christmas 2012.


I'm currently working on another Paula Vaughan for this Christmas.

Monday, June 17, 2013

Movie Remakes: Star Trek and Jane Austen

I've been a Star Trek fan since I was in middle school. Equal blame falls on my mom and my best friend: my mom bought a boxed set of the movies on VHS, and my best friend was a big The Next Generation fan. I thought TNG was silly (I still do, at times). But The Original Series (TOS)? That was a different story! It was so... cheesy. I liked the special effects that had once been cutting edge. I liked that it was pushing an agenda before the age of political correctness. By the time of TNG--well, I can thank Wil Wheaton for his rather snotty Wesley Crusher in the episode "The Final Mission"--I eventually came to dislike the pushy PC agenda of the show as well as the cruise ship design. The Enterprise-D looked like a space-worthy Caribbean cruise-liner.

As a result of watching TNG and the movies, I got back into watching TOS. To this day it is my favorite of the series, and that's probably due to my background in history. I was excited over the first TNG movie, Star Trek Generations, until I saw it. Since the movie came out years ago, SPOILER ALERT is all you will get, but the movie lost me when they killed Kirk. I was done with the creators of this movie, and I was correct in thinking that because, with the exception of Star Trek: First Contact, the other movies were weak. I was sick of the action around Data and Picard. Ooh, Geordie has new eyes. Riker and Troi? Yep, still taking bubble baths together--and I wish I was making that up.

Imagine my excitement when I heard a new Star Trek movie was being made in 2009, a reboot of TOS! Everything was so secretive, like who was going to make a cameo appearance (Nimoy) and who wasn't (Shatner) because JJ Abrams was directing it. Of course, die-hard Trekkers (I considered myself a Trekkie, which seems to be a less-serious fan) were aghast. Since I never understood the techno-babble and the science, all I required was a good story and a good Doctor McCoy.


And this is what we got. A younger crew, younger even then the characters were when TOS first aired.  And how do we explain away the canon? A rift in the time-space continuum, and they didn't even have to sling themselves around the Sun! And Karl Urban's Dr. McCoy? Yes, please. (He's a doctor, not a physicist.)

The characters are slightly different due to that time rift in the 2009 movie, Starfleet is slightly different, and I find that to be perfectly fine. In fact, this summer's Star Trek: Into Darkness pays the perfect homage to an earlier, classic Trek movie. (Spoilers!)

So, where does Jane Austen come into this? Well, Pride and Prejudice is one of my favorite books, and the 1995 adaption with Colin Firth is my favorite production. It's perfect in every way, from the language, to the costuming, to Colin Firth in a wet shirt... so I was not too thrilled when I found out Keiera Knightly was going to play Lizzie Bennet. No! She was all wrong. Wrong wrong wrong.



I couldn't help but compare it to the 1995 version, which was a mini-series. It's hard to pack that entire book into roughly two hours, but I was appalled when I saw that Bingley was allowed into Jane's sick-room. That would NOT have been tolerated in Jane Austen's time, and I didn't tolerate it, either.

And this is where Trek comes in. My feelings for this inferior Pride and Prejudice is similar to some people's distaste for the Star Trek reboot. I can more easily understand their intransigence at accepting it, much like I have difficulty in accepting how Matthew MacFadyen's wooden Mr. Darcy could fall for a toothpick with hair.

[You can check out Wil Wheaton at his blog, WIL WHEATON dot NET.  I look forward to each of his appearances on The Big Bang Theory and have forgiven him for looking like Wynona Ryder in one of those Tiger Beat magazines from when I was in ninth grade. We all make mistakes. ]

Sunday, June 16, 2013

WIP: American Sampler by Sandy Orton

I've been cross-stitching for a long-time, ever since my seventh-grade home economics project. But within the past few years I've really fallen in love with the idea of the sampler mainly because of the variety of stitches.

I stumbled across Sandy Orton's "American Sampler" about two years ago when I was searching for patterns. I fell in love with it, and luckily for me, it was reprinted in an issue of Cross-Stitch and Needlework Magazine.

This is my current progress on the project. I've been working on it for about a year and a half and picked it up again after a year hiatus. I've prioritized projects that were slated to be gifts, and this project is just for me. 

I've committed myself to finishing it by the end of the year. 


A close-up of a wee man. 



Saturday, June 02, 2012

WIP: Paula Vaughan's "Thoughts of Spring"


Normally, when I have a project that is a gift for someone, I won't post pictures of it. Since the giftee has already seen it in progress, I'm not as worried in this case. I just won't post the final picture with all the tedious backstitching on it.

One thing I've done differently with this project is the gridding, a technique I found from one of the Teresa Wentzler boards that I visit. I didn't initially grid the fabric but did it after I discovered a mistake and had to tear a good portion of the armoire out. Several hours of gridding have really saved me a lot of time as discovering a mistake early is MUCH easier when I go in 10 x 10 stitch squares.



This is a progress picture of my attempts to discover the mistake after gridding. The diagonal lines are squares that had no mistakes in them and didn't have to be torn out. Pretty much everything above that had to be torn out and redone.

The time between the second picture and the first picture is about six weeks. I'm pleased with how quickly it's going now that I have little goals to reach.